Watching the Script, Notes 9 June 2008
Preliminary list of everything we’d like to do & group & prioritize
Questions raised:
Applications:
- mnemonic?
- Pedagogical (reading playtexts, analyzing & comparing others’ blocking choices, learning to make & self-evaluate blocking choices)?
- Research (abstracting and comparing patterns in use of time & space in a text or a performance)?
- [NEW] tool for creating illustrations to accompany textual analysis of text and/or performance (ie. could I embed a link in an online journal essay to a demonstration)?
Representation of text:
- relationship between printed text & simulation – eg. direction of moving text?
- level of action being represented (literal refs to movement vs. filling in literal moves such as stage directions vs. movement that illustrates dramatic conflict)?
- time implied in text? (are we dealing with time at all? Again, at what level: fictional time passing in the play, pace of performance, phonological time in words)?
- To what extent are we concerned with sound (this tool creates a second visual analogue for what is essentially an aural medium)?/
Things we might like to do:
Space:
- integrate blocking tool
- tip the stage so we can see an elevation rather than a ground plan
- adapt the shape of the stage
- adapt the relationship between audience and performer (distance from the stage, height)
- Dimensionality – could we simulate 3-d?
- Noses for orientation of performer’s body
- Program in more than one blocking scheme for the same text (eg. for two famous interpretations of a scene) and view them simultaneously?
- Add directional arrows/ mouse tails to trace movements (could these be turned on an off, maybe also a function to see where characters are going next)?
Time:
- mark ‘pace of average ordinary speech’ on pace control
- control cues (sometimes actor responds immediately, but permit pauses)
Characters:
- could this be set up to show doubling – one actor for several parts? (without losing character colours) – possibly this would need a doubling chart tool
Abstractions for analysis:
- storyboard of tableaux from climaxes
- graph of number of characters on & off
- high-speed ‘flow’ of bodies on & off
- [NEW] calculate time of a performance based on cuts & business
- transfer to a performance in Second Life?
Further investigation:
- Dance choreography as a language for annotation
- Edward Tufte for graphic representations of space & time
- Marcel O’Gorman (Waterloo)
- Sandra Gabrielle – designs of the stage – a professor at York – design – in visual communication design – eg. noses
Funding avenues:
- SSHRC ITST
- Other smaller grants? – CCA? RDI? Internal?
- Research/Creation – Visualization tools are artistic creations in themselves; Tool as a tool for research-creation & tool as a creation itself; Moving the other direction from image to text (show playwrights the visual pattern & ask for new text?)