| Reference | Notes / Suggested By |
|---|
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| Austin, John Langshaw. (1965, c1962). How to do things with words. New York: University Press. | Susan Brown |
| Barrett, Estelle. (2005). "Creative Arts Practice, Creative Industries: Method and Process as Cultural Capital." Speculation & Innovation (SPIN) Conference. Queensland University of Technology, Australia. | Cindy Poremba |
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| Borgdorff, Henk. (2006). "The debate on research in the arts". Sensuous Knowledge. 2. | Cindy Poremba |
| Bos, Nathan, Ann Zimmerman, Judith Olson, Jude Yew, Jason Yerkie, Erik Dahl and Gary Olson. (2007). "From Shared Databases to Communities of Practice: A Taxonomy of Collaboratories". Journal of Computer-Mediated Communication. 12. 2. < http://jcmc.indiana.edu/vol12/issue2/bos.html>. | Geoffrey Rockwell |
| Brouwer, Joke and Arjen Mulder (Ed). (2007) Interact or Die: There Is Drama In The Networks. NAi Publishers. | Winner of Media Art Theory Prize (Prix Ars Electronica?); Chris Salter |
| Butler, Judith. (1993). Bodies that matter : on the discursive limits of "sex". New York: Routledge. | Susan Brown |
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| McMillan, Sally. (2003). Interactivity. London: Sage Publishers. 1. 241-244. | Stacey Wheal |
| Munster, Anna. (2006). Materializing New Media: Embodiment in Information Aesthetics. Hanover, NH: Dartmouth College/University of New England Press. | Media Art Theory Prize Finalist, Suggested By: Chris Salter |
| Murray, Janet H. (1997). Hamlet on the Holodeck. New York: Free Press. | Stacey Wheal |
| Nardi, BA. (1996). Context and consciousness: activity theory and human-computer interaction. Cambridge, Mass.: MIT Press. | **Suggested by: Ron Wakkary |
| Pakes, Anna. (2004). "Art as Action or Art as Object? The Embodiment of Knowledge in Practice as Research". Working papers in Art & Design Issues. 3. | Cindy Poremba |
| Penny, Simon. (2000). "Agents as Artworks: and Agent Design as Artistic Practice". Human Cognition and Social Agent Technology. K. Dautenhahn (Ed). Amsterdam, NL: John Benjamins Publishing Company. 395-414. | Cindy Poremba |
| Piantanida, M., C. Tananis, and R. Grubs. (January 2002). "Claiming grounded theory. for practice-based research: A think piece." 2002 Conference on Interdisciplinary Qualitative Studies Roundtable Discussion. Athens: | Cindy Poremba |
| Preece, J., Y. Rogers and H. Sharp. (2002). Interaction Design: Beyond Human-Computer Interaction. New York: John Wiley & Sons, Inc. | Ron Wakkary |
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| Rockwell, Geoffrey. (2002). "Turing's Reaction: Dialogue as a model for interactivity in multimedia." MITH. | Geoffrey Rockwell, Stacey Wheal |
| Rosenberg, T. . (2000). " "The reservoir": towards a poetic model of research in design". Working Papers in Art and Design. 1. <http://www.herts.ac.uk/artdes/research/papers/wpades/vol1/rosenberg2.html>. | Stacey Wheal |
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| Schön, Donald A. (1983). The reflective practitioner: how professionals think in action. New York: Basic Books. | Ron Wakkary, Cindy Poremba, Stacey Wheal |
| Schön, Donald A. (1987). Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions. San Francisco: Jossey-Bass. 1st ed. | Ron Wakkary |
| Schrivener, Stephen. (2002). "The art object does not embody a form of knowledge". Working papers in Art & Design Issues. 2. | Cindy Poremba |
| Schuler, D and A Namioka. (1993). Participatory design: principles and practices. Hillsdale, N.J.: L. Erlbaum Associates. | Ron Wakkary |
| Scott, Jill (Ed). (2006) "Artists-in-Labs – Processes of Inquiry." Springer. | Cindy Poremba |
| Seago, Alex; Anthony Dunne. (1999). "New Methodologies in Art and Design Research: The Object as Discourse". Design Issues. 15. 2. 11-17. | Cindy Poremba, Stacey Wheal |
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| Smith, M. K. . (1996; 2001, 2007). 'Action research', the encyclopedia of informal education. <http://www.infed.org/research/b-actres.htm>. | Cindy Poremba |
| Suchman, L.A. (1987). Plans and situated actions: The problem of human-machine communication. Cambridge Cambridgeshire, New York: Cambridge University Press. | Ron Wakkary |
| Suchman, Lucille Alice. ( 2007). Human-machine reconfigurations : plans and situated actions. Cambridge, New York: Cambridge University Press. 2nd ed. | Susan Brown |
| Swann, Cal. (2002). "Action Research and the Practice of Design". Design Issues. 18. | Cindy Poremba |
| Wakkary, Ron. (2005). "Framing Complexity, Design and Experience: A Reflective Analysis". Digital Creativity. Vol. 16. No. 2. pp. 65–78. <http://www.sfu.ca/~rwakkary/papers/DC_Wakkary_2005.pdf>. | Cindy Poremba, Lynn Hughes, Stacey Wheal |
| Wardrip-Fruin, Noah and Pat Harrigan (Ed). (2004) "First Person: New Media as Story, Performance and Game." London: MIT. | Geoffrey Rockwell (Proposal Bib) |
| Wilson, Stephen (Ed). (April 2003) " Art and Science as Cultural Acts." Information Arts : Intersections of Art, Science, and Technology (Leonardo Books). The MIT Press. | Cindy Poremba |
| Winograd, T. (Ed). (1996) "Bringing Design to Software." New York / Reading, Massachusetts: ACM Press / Addison-Wesley. | Ron Wakkary |
